Nice words on KH and the recent record:

• "Here are a few pop-culture items I've been digging this week ... Kaspar Hauser's Quixotic/Taxidermy, which was spotlighted in this week's podcast." -Whitney Matheson, Pop Candy/USATODAY.com

• "The Chicago based band should be able to capitalize off of their latest album Quixotic/Taxidermy: packed with cool/bluesy Tweedy-like vocals and tracks that pull influences from both the Stones and Kinks." -Nathaniel Gravely, i guess i'm floating

• "Local act Kaspar Hauser has been kicking around for the last seven years, but has kept a low profile, playing sporadic shows, putting out a new record every couple of years. Their latest, the self-issued Quixotic/Taxidermy, is quite nice -- a loose homage to the Stones grafted to workaday Midwestern indie rock. Frontman and band mainstay Thomas Comerford sounds casual; he sings with a little bit of a cool remove. The band is no-frills but sweet, chimey and has a particularly easy way with a bluesy swagger. Fans of Jeff Tweedy's pre-Wilco works would do well to check them out." -Jessica Hopper, This Week in Live Music/Chicago Tribune

• "Comerford ... sings in a nasal tenor that reminds me of Bill Callahan (the artist formerly known as Smog), ripping through shambling, melodic rock tunes with a bored swagger. There’s a definite shot of the Rolling Stones here, particularly in the looseness of the arrangements, but Kaspar Hauser doesn’t seem particularly concerned with using classic rock ‘n’ roll riffery; the guitars sputter and clamber more than they groove. A few ballads embrace a darker, more atmospheric vibe—including a surprisingly good cover of Big Star’s “Holocaust,” a tough tune to mess with—but ultimately Comerford’s writing and the way he comfortably wears the skin of these warmly familiar songs is what puts the band over. Even when the songs seem like they’re about to fall apart, his singing threads them back together." -Peter Margasak, Post No Bills/Chicago Reader

(For more press, click here.)